Rosalind Goldberg works as a choreographer and is currently a research fellow at Oslo National Academy of the Arts. She graduated from the MA in choreography at HZT – Inter –University Center for Dance Berlin October 2014 and from Balettakademien in Stockholm 2007. Her work is built on an interest in the body’s biological and social construction and in methods for exploring the murky water where these reside. Her latest work has focused around the notion of practice as a way to construct different logic systems through which bodies could function. Her most recent works are Fake Somatic Practice (2011), MIT (2013), Jump with me! (2016), Immunsystemet (2017) and Rut (2018). Last year she started a new collaboration with the scenographer Signe Becker and composer Ingvild Langgård with whom she presented the work Still Life at ANTI Contemporary Art festival in Kuopio, Finland. Rosalind Goldberg’s work was invited to Impulstanz festival Vienna, Tanz im August and to number of venues through Europe. With her work MIT she was nominated to the price Prix Jardin d’ Europe. She is today an associated artist of Weld in Stockholm and Skogen in Gothenburg.
Work Group
Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.
Artist Talk
Objective Enactive
This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.
Presentation
Polyvocal Tongue
The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.
Conversation
TRANSPOSITIONS— Panel Discussion
The Ethics of Vulnerability and Artistic Research
Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.
