Maziar Raein

Maziar Raein is an Associate Professor at the Oslo National Academy of the Arts (KHiO). He holds a BA (Hons) in Fine Art and an MA in Independent Film from St.Martin’s School of Art (later known as CSM). His film work include; Underwater Productions which specialized in arts documentaries and short dramas with commissions from Channel 4 and F.4 Films which made I Used To Be In Pictures.

He later founded Codex Design were he was responsible for the branding and identity of many businesses, amongst them Lastminute.com. His company specialised in developing identities and distilling them into brands. Before moving to Oslo, he taught on the BA Graphics course at CSM, were he was Head of the Context programme. He has published and worked on projects that focus on the positive aspects of visual and spatial ability, reflective practice and methodology. Moreover, he was a regular contributor to Graphics magazine, as well as having works published in; Typographics, Eye magazine etc. On moving to Oslo he established the MA Design course at KHiO, setting up a number of research forums that focused on the development of teaching and learning in design.

He is involved in a number of research projects including MONO.DIO.POLI.META.LOUGES Tools which is a developmental tool for artistic research.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

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Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.

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Presentation

Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.
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Conversation

TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.
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Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.

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