Bojana Cvejić’swork spans philosophy, theater and performance-making and performance education. She is author of several books (a.o. Choreographing Problems, Palgrave 2015, Public Sphere by Performance, with A. Vujanović, bbooks 2012 and three volumes of A Choreographer’s Score with A. T. De Keersmaeker, Mercatorfonds 2011-13) and collaborated on many theater and dance works as dramaturge/performer/writer since 1996. Cvejić is Professor of Dance and Dance Theory at the Oslo National Academy of Arts and teaches at P.A.R.T.S. Brussels. She has been the co-founding member of TkH collective (Belgrade) 2000-2016 with whom she realized many journals, performance and other projects. Among more recent works, in 2013, she curated the exhibition Danse-Guerre at Musée de la danse, Rennes and in 2014, she devised a choreography and lecture program titled Spatial Confessions for Tate Modern’s Turbine Hall. Cvejić is currently completing a book (co-written with Vujanovic) Toward a Transindividual Self(Archive Books, forthcoming).

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.