Arely Amaut Gomez Sanchez

Arely Amaut Gomez Sanchez (born in Cusco, Peru) is a mestizo woman, part of the Quechua Indigenous community. She is a reader, visual artist, graphic designer, architect and remembers the ancestral-digital study. She intersects Andean-Amazonian cosmology, training in architecture, and the embodied study of the principles applied in the Andean ancestral architecture to share the study: “Remembering the future.” She conceived in collaboration with the community of Quebrada Verde in Pachakamak the “Radio Apu” (Apu is a Grandfather or Grandmother, the sacred mountains). She collaborates with Sigrid Espelien (Oslo), Tatjana Kolpus (Sámi), Irma Alvarez Ccoscco (Quechua) in the ongoing project “Collective Thinking Machine” “Mapping the unseen” with Liisa-Ravna Finbog (Sámi), with Valentina Desideri and Denise Ferreira da Silva in the “Sensing Salon.”

Collectively Arely questions the hidden structures that predetermine our social and political imagination limits. She accompanies processes of repositioning Ancestral memory and embodied practices by remembering that we are interconnected beyond separation and linear time. Remembering that we are the Land, clay, mud, Pacha (space-time). Remembering the Land, the Mountain, the River, as pedagogy, Ancestral tools of healing, reading (oracles), and poetic speculation. Remembering, they create diagrams, videos, drawings, texts that explore decolonial possibilities of imagining and tools to deal with the ancestral forgetfulness and alienation produced by Modernity to rehearse different types of beings beyond the modern subject (Da Silva, The Global Idea of Race). She holds a Master’s degree in Art and Public Space from the National Academy of Arts in Oslo. She is currently a Ph.D. student at The Institute for Gender, Race, Sexuality, and Social Justice at the University of British Columbia.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.