André Eiermann is professor of theatre at the University of Agder in Kristiansand (Norway). He has formerly worked at several universities in Germany, a.o. as substitute professor of the theory and history of theatre at University of the Arts Berlin, as substitute professor for theatre studies at Goethe-University Frankfurt (Main), and as postdoc at the Institute for Applied Theatre Studies at Justus-Liebig-University Giessen. In addition, he is active as performing artist and collaborates as freelance dramaturge with various other artists, both in the Norwegian and in the international context. His ph.d-thesis Postspektakuläres Theater was published in 2009.
Work Group
Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.
Artist Talk
Objective Enactive
This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.
Presentation
Polyvocal Tongue
The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.
Conversation
TRANSPOSITIONS— Panel Discussion
The Ethics of Vulnerability and Artistic Research
Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.
