How To Turn Down A Romantic Date Without Splitting A Heart

Rejection actually simple to simply take, but dishing it is not a cake walk sometimes. Most of us aren’t over to harm thoughts or split hearts, then when referring time and energy to permit some body down gently, we actually would want it to be mild. If you...

Just how Dating is similar to Dog-Sitting

A few years ago, we mentioned so long to my childhood pmeet up with milfspy. She’d been my personal faithful friend for the majority of my entire life, always here as I required this lady. It had been difficult release. During that time, I happened to be...

Using Legal Files for Due Diligence

Due diligence is a process that helps a client and owner evaluate the risks and benefits associated with a business deal. The information accumulated through this method can help the buyer decide whether the investment is a good one. It could also be used to identify...

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.