From the 20 or so guys I dated prior to getting married, In my opinion it really is reasonable to state i am actually just pals with one. And that is because we had been close friends just before incorporating intimate areas to the mix. Anyway, it is a delicate dancing to be friends (and/or just be on great terms and conditions) with an ex.

For guys, its difficult. What is it that ladies want once a relationship has ended? Carry out they want to be buddies? Or perform they just n’t need to see you date other people?

Here are some different situations additionally the ideal way to handle them.

1. You used to be friends before several.

The commitment began as pals together with both of you chose you’ll make a wonderful enchanting pairing, but you recognized you need to have only remained buddies.

In such a case, keeping on great terms is extremely important. Both of you need the best to put the failed relationship behind you and carry on the chummy character.

2. You wouldn’t have regarded as the other person buddies.

You beginning dating the friend of a buddy of a pal and after a couple of months, the spark sizzles away.

Would you create a big work to be on good terms and conditions and stay friendly? Nah, do not sweat it. You used to be never truly contacts to start with.

Be type and become a reasonable grown-up, but don’t go out of the right path to create her with your folks or take her to a ballgame.

3. Both of you are just like oil and water.

If the connection finished on awful conditions (i.e. you used to be throwing circumstances at each and every additional and it’s really also suspected she dipped the toothbrush inside the lavatory), you will need to chop your own losings and progress.

The simple truth is, more than likely, neither of you will genuinely be pleased your other person discovering really love.

Staying pals or perhaps simply on good terms and conditions with your ex has its advantages and disadvantages. But, in all honesty, the only real litmus examination is when the both of you had been actually friends first off. If that’s the case, take to your very best keeping the friendship heading. Otherwise, you should not exert too much effort towards cause.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.