Online dating is a wonderful way for making connections and explore fresh experiences, but linking online or meeting up in person with strangers could also truly feel scary. In order to help people experience more secure when dating online, RAINN has evolved a set of sharable graphics that characteristic tips for safe and sincere interactions.

Whether you make use of Tinder, Bumble, OkCupid, or another dating software, remember that you must not share personal information with strangers upon any site or app. This includes cultural security volumes, credit card information, home and do the job addresses, and also other sensitive information. Drinking avoid showing a photo that offers away your location or any additional information that could discover where you live, such as the name of your area or a photo from your treasured coffee shop.

Many online dating apps request you to provide where you are when you sign up, nonetheless this information should be used with the app instead of shared with someone else. Additionally , you should look into the settings of any social websites accounts that you link to your dating app to ensure that other people cannot observe personal information about who you are or your loved ones on those sites.

If you choose meet up with a stranger, it is important to possess a friend or perhaps trusted adult local for protection reasons and report any kind of suspicious behavior for the site officer. Should you ever feel uneasy or hazardous with a time frame, trust your instincts and leave right away.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.