Property Agents guide both buyers and sellers through the process of buying and selling real estate property. They search and send listings, tour homes with clients, make offers on their behalf and help to negotiate the terms of sale.

Selecting the right Real Estate Agent

A good real estate agent provides a strong knowledge of the local marketplace and their clients’ priorities. They may keep your wishlist at the top of the mind as they search for your perfect home.

They also have a reputation success. Check their web based profiles just for examples of earlier sales and listings. If an agent possesses a positive sale to list ratio, that’s a sign they sell homes meant for more than list value.

In addition to their experience, look for a real estate agent who have excellent customer service skills and who all is normally committed to your goals. This will signify making a superb match, keeping your needs at the cutting edge of their job, and responding to your questions quickly and effectively.

Be sure to ask about their particular work schedules as well as the hours they are offered, as well as how flexible they are simply with their availableness. Many real estate professionals work part-time, that can allow them to better meet the needs of all their clients.

Ensure that virtually any real estate agent you hire includes a valid certificate. This is required in order to work legally and safely during a call. It is a requirement of all real estate agents check that in the usa and Canada.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.