Virtual table conferences offer the same benefits when face-to-face meetings, good results . added security and convenience. In addition to providing an opportunity to conduct conferences online, these types of meeting have advantage of clearing up the moments of board paid members.

While a remote board achieving can be a useful device, there are several issues to be aware of ahead of the meeting commences. These best practices will help keep the electronic board reaching on track and secure.

First of all, make sure that you have got a good digital quality. Creating a bad online video or music quality can cause a whole lot of concerns in a online meeting. It is also a good idea to have an audio-visual person around to troubleshoot problems.

You must likewise create an agenda for the meeting. This would include advice about the topic, period of time, and a shorter summary. The aim of a classy curriculum is to make sure that the get together is successful.

During the appointment, encourage everybody to speak. In so doing, it’s better to get responses from other guests and to ensure that you are studying the right thing.

Make sure you use a secure platform to send out the or so minutes. This will make certain you don’t disobey the rules of electronic breakthrough. Also, can add the day and moments of the conference to the short minutes.

For a even more productive aboard meeting, use software which offers a variety of features. Most online board reaching software is very easy to use.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.