Program operations is the practice of managing the big picture of a business, balancing means, communicating and testing performance across all tasks. This approach will help the organization obtain its strategic goals. Essentially, program managers are strategy execution leaders.

Assignments within a system are company website interdependent and are integrated to deliver a single consolidated service. Courses can be been able using numerous methodologies. They might be used to support strategic planning, business change, and portfolio money.

Program managers must communicate effectively with all stakeholders. The aim of this connection is to build trust, increase transparency, and enhance risk control. If you have a strategic performance for being achieved, it is important to establish a map and be familiar with pain points.

One way to do this should be to create a map that highlights the key dependencies in the firm. It will also help highlight virtually any conflicting focus.

A dash will also permit the program supervisor to track improvement and project needs. These tools will also assistance to ensure that pretty much all projects take track to complete and meet deadlines.

Program managers must have strong credentials and experience. They have to have a specific understanding of the strategic organization goals. Having a comprehensive plan will ensure that most people are aware of their role. Also, they must have a solid understanding of the organizational capacities and how to leverage them.

For instance , the right tooling can make the task breakdown framework a central hub with respect to tracking task progress. This will help to to win back capacity.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.