Annual General Events

Companies usually use twelve-monthly general events to declare their strategies for next year and to assessment company overall performance. AGMs also are a very good opportunity to get shareholders’ remarks and source. Often , corporations may also distribute dividend payments.

The principal purpose of an AGM is always to elect the board of directors. The board runs the company and offers direction to its managing. https://cof-cg.org/2021/07/05/generated-post Also, they are responsible for giving a video presentation the economic statements. Additionally , the AGM serves as the possibility for shareholders to political election on important business matters.

Ahead of the AGM, the business must mail notice with the meeting to all shareholders. This notice need to include the date, location and agenda. Through the meeting, a chairperson will lead the actions. If the chairperson is normally absent, various other members for the company can act as chairperson.

During the achieving, the mother board of company directors will talk about and choose key concerns affecting this company. Problems may include the annual report, payment of dividends as well as the future of this company. It is therefore crucial to prepare the AGM in advance.

The AGM needs to be held in a location that is near both the table and the shareholders. The place should also be allowed to accommodate more and more people. Look at a location that is certainly close to community transport. Outdoor venues are sometimes ideal since they enable flexible seating bouquets.

The goal list for the meeting ought to include all items which must be identified on. Each item must be approved by two thirds of the customers.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

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Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.

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Presentation

Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.
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Conversation

TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.
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Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.

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