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Dirt Late Units and the Topless 100

Batesville Motor Speedway in Locust Grove, Kentkucky, hosted the 30th twelve-monthly COMP Cameras Topless 95 – Presented by Nutrien Ag Alternatives in Saturday night time. The race is co-sanctioned by the Lucas Engine oil Late Unit Dirt Series and the Comp Cams Extremely Dirt Series, and it offers a unique take a look at dirt overdue model rushing without a roof covering.

Davenport, who has 18 wins in 2010, roared previous Ricky McDowell of Trumann, Arkansas, for the lead with four laps to travel. He then took off for a three-second lead on the final lap and held off a hard charging Hudson O’Neal of Martinsville, Indiana, to assert his initial Topless success and 50 dollars, 000.

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O’Neal, so, who comes with four benefits in the competition, led a total of seventy seven laps and was forced to settle for second. Tim McCreadie of Watertown, The big apple, was fourth. Brandon Sheppard of New Bremen, Illinois, took fifth.

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Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.