A fresh common dilemma, but it can be confusing. The answer is not always convenient, and this varies simply by culture.

The most commonly acknowledged answer is usually that the engagement ring continues on the fourth finger of the left hand, generally known as the ring little finger. It’s presumed that this finger features a problematic vein that works directly to the heart, that is why it’s commonly known as the Vena Amoris, or perhaps “Vein of affection. ”


If you don’t need https://livelovelocalblog.com/52-cute-date-ideas-for-a-year-of-fun/ to wear the gemstone in your left hand, there are a few other https://elitemailorderbrides.com/ru-brides-review ways to screen the wedding band. For example , you can utilize a smaller band on your index finger or perhaps pinky until you get the scale right, Lawler-Trustey says.

You can also tend to wear a great heirloom jewelry on your right hand, seeing that that is a signal of dedication and customer loyalty. It could become a way to goodness your parents or perhaps grandparents, Lawler-Trustey notes.

Homosexual marriages

In the past, same-sex marriages were illegal generally in most countries, nevertheless since they’ve become legal, some LGBTQ+ couples are selecting to wear their particular rings issues right hands. This tradition is considered a sign with their monogamy and commitment with their spouse, Lawler-Trustey points out.

Left-handed people

Since there is a less dominating hand, left-handed people quite often prefer to don their wedding ceremony bands relating to the right aspect of their body. This allows these to limit the damage they will do on their band while they are using their other hand, Lawler-Trustey says.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.