What if your online dating experience was totally photo-free?

String is a fresh dating app that allows you to connect with potential matches without ever seeing your account picture. That pairs you depending on age, area, and common interests, and you will chat with prospective matches nonetheless you’ll only see a blurred edition of their images.

As to why You Need a Headshot for Your Online dating services Profile

Your dating profile picture certainly is the first thing that individuals see after they browse the page, therefore you want to make sure that stands out. It’s a https://www.healthline.com/health/love-languages probability to create a great lithuania dating site impression and persuade someone you’re worth meeting face-to-face.


The best way to do this is by choosing an attention-grabbing, flattering picture. Choose one that reflects your personality, whether you’re in a casual or perhaps formal environment.

It’s also important to experience a smile within your picture, particularly if you’re smiling naturally. Although keep in mind that this may look untrue if you’re peering myopically or for anybody who is wearing glasses.

You should also prevent group photographs and uncertain ones to can’t tell who’s just who. Men can fixate over the women in a photo, and so you’ll have to be aware about what you include in your profile.

In light of this, research workers have devoted to the meaning-making processes included any time a subject creatively presents themselves in a mobile phone online dating app profile. For that reason, they have designed a qualitative method to rebuild series of pics as supports of orientation, rules, and regular practices, which often can contribute to explicate socio-cultural storylines and the presumptions which might be triggered when ever subjects aesthetically present themselves in online dating sites profiles.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.