Kazakh wedding party practices have been set up over centuries. Matrimony in Kazakh is considered significant event is online dating safety tips obviously. The bride is usually dressed in https://asianbrides.org/kazakhstan-women a wedding gown. She is greeted by her family and has gifts.

Kazakhs traditionally choose their brides to be from the youthful generation. The marriage is often arranged after the birth of children. There are also some unwritten guidelines in the Kazakh tradition. As a way to discover a suitable meet, Kazakh father and mother search for a family in a neighboring village.

Customarily, the wedding ceremony lasts for a lot of days. https://masseffect.fandom.com/f/p/4400000000000002126 It entails several different events, which include a traditional Kazakh ceremony often known as Neke Qiyu. This is as well as a series of post-wedding rituals.


Before the marriage ceremony, a young daughter leaves her home. Based on the custom, completely supposed to include a “saukele”, a cap that is believed to bring lots of benefits to the star of the event.

The group of the bridegroom visits the home of the new bride and greets her with sweets. Then they present her with a surprise as a i want to thank raising her well.

Following greeting, the fogeys of the bride-to-be light a fireplace. The dombra, a Kazakh instrument, is definitely played. A poet sings in the background.

Brides were at times kidnapped in case their parents opposed the marriage. Today, however , this is not the case. The majority of Kazakhs own relaxed the strict guidelines of the marriage.

After the neke qiyu, the bride and groom are joined by relatives and friends. During this time, they consume together and drink by a common cup. Afterwards, a significant feast is usually held in the bride’s house.

Work Group

Objective Enactive
This online lecture-demonstration unfolds the term ´Poetic Materiality´ within the context of designing and choreographing with Somatic Costumes. Through critiquing and applying the somatic practice of Skinner Releasing Technique, the poetics of philosopher Gaston Bachelard and the materiality of anthropologist Tim Ingold, this talk begins to map poetic and material agencies between bodies-costumes within the design-performance encounter.

Artist Talk

Objective Enactive

This talk will focus on the first outcome of Glitsch(ening) Ci(rculari)ty, a tripartite site-specific, where I am pursuing a speculative exploration of the ecology of the city, between the urban and the biological, unfolding its layers and materiality of time. The talk will end in a conversation between fellow researchers and artists in the collaborative project Urban Ecologies, where Glitsch(ening) Ci(rculari)ty, is generated from.


Polyvocal Tongue The presentation will focus on relational ethics and polyvocality in performative text. It will also explore the use of plural languages in a play, looking at how a polylingual praxis can open up new aesthetic potential in playwrighting and in artistic research in general.


TRANSPOSITIONS— JAR, Mette Edvardsen and modular diaries At the start, the idea for an artistic research conversation with Mette Edvardsen did not spring out of the topics shortlisted for the conference—hospitality, vulnerability and care—but a book that she had co-edited, and dropped in my shelf.

Panel Discussion

The Ethics of Vulnerability and Artistic Research

Any ethical framework must take account of the vulnerability of the human condition. This is significant in all creative endeavours – especially in artistic practice and the teaching of it – since the very act of creating something and putting it out into the world is an expression of vulnerability.